Your headphones are lying to you...


Hey Reader,

Have you ever finished a mix in your headphones, sat back thinking “Yes. That’s it.”

…then played it in the car and immediately questioned your entire existence?

The thing is, most home/bedroom producers aren’t bad at mixing.

They’re just making decisions based on monitoring that’s lying to them.

Small rooms. Untreated walls.
Late-night headphone sessions.
Stereo that feels huge.
Low end that isn’t what you think it is.

You compensate for what you’re hearing… and then your mix falls apart everywhere else.

I’ve been testing something this week that directly tackles that problem.

And it genuinely changes how headphone mixes translate.

If you mix primarily on headphones, or in an untreated room, you’ll want to watch this one.

Watch it here → How to Mix on Headphones (This Changes Everything)

I think this is going to spark a really interesting discussion.

PS - If you're finding these messages helpful, please consider supporting The GarageBand Guide by buying me a coffee!

The GarageBand Guide

I run The GarageBand Guide on YouTube and the web, helping beginners and hobbyists make better music with Apple gear through clear tutorials, honest reviews, and practical guides.

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