I run The GarageBand Guide on YouTube and the web, helping beginners and hobbyists make better music with Apple gear through clear tutorials, honest reviews, and practical guides.
This surprised me…
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Hey Reader, For years, if you wanted to make serious music on iPad, the answer was simple: Get the iPad Pro. But after testing the new M4 iPad Air this week… I’m not so sure anymore. I’ve been putting it through the usual stress test:
And it’s getting very, very close to iPad Pro territory. Close enough that I think a lot of people are overpaying. I break it all down in this video, including a proper performance test and where the limits actually are: If you’re thinking about upgrading your iPad for music production, this one’s worth a look. Cheers, Patrick PS - If you're finding these messages helpful, please consider supporting The GarageBand Guide by buying me a coffee! |
The GarageBand Guide
I run The GarageBand Guide on YouTube and the web, helping beginners and hobbyists make better music with Apple gear through clear tutorials, honest reviews, and practical guides.
Hey Reader, If you’re thinking about picking up an audio interface right now, you’ve got loads of options. Most of them are… fine. But every now and then something comes along that feels a bit different. I’ve been testing the Antelope Audio Zenith 2 over the past couple of weeks, and for a budget option it’s doing a few things you don’t usually see at this price point. So I’ve put together a video breaking down 5 solid reasons why it might be worth a look. 👉 Watch it here: 5 Features That...
Hey Reader, Making music on iPad in 2026 is honestly brilliant. We’ve got full DAWs, serious synths, proper mixing tools… even big desktop developers bringing flagship plugins over to iPadOS. But there’s still one big name missing. Kontakt. If you’ve ever worked with sample libraries on Mac, you’ll know how central Kontakt is. And if you’ve ever tried moving a Kontakt-heavy project to iPad… you’ll know the frustration. Because it simply isn’t there. So the question becomes: what’s the...
Hey Reader, Have you ever finished a mix in your headphones, sat back thinking “Yes. That’s it.” …then played it in the car and immediately questioned your entire existence? The thing is, most home/bedroom producers aren’t bad at mixing. They’re just making decisions based on monitoring that’s lying to them. Small rooms. Untreated walls.Late-night headphone sessions.Stereo that feels huge.Low end that isn’t what you think it is. You compensate for what you’re hearing… and then your mix falls...